“Alcatraz”
Gaffer: Jeff Pentecost
4x 18k, chase scene
“Fringe Season 4 “ Gaffer; Richard Buckmaster
“Penoza”
DOP; Eric Schmidt
Steveston Harbour
“Green Arrow”
Gaffer; Shamus Whitling-Hewlett
DOP; Glen Winter
Daylight Fill
1/2 CTO on windows
“Once Upon a Time”
Gaffer; Calen Zantolas
Wet weather testing a new Six-pack at our Seymour watershed facility
On loc. with Human Target Season 2
DOP Rob McLachlan
“Dark Angel” Pilot
Brian Pearson ; DOP
road lit for insert car
“Ecks vs. Sever”
boxcar detonation
“Taken”
135’ platform
4x 18K
“Ecks vs. Sever”
Remote 6x 12K HMI
“They”
Mooncube w/28 t crane
Gaffer; Owen Taylor
“Dead Zone”
3x 135’ Platforms
Gaffer; Dave Warner
(identical unit across)
“Fantastic Four”
DOP; Brian schmrz
(Ultra Wide Lens W/lite grid) on a high contrast (Dec.) day.
Multiple heads allow the most flexibility adjusting to a changing contrast ratio
“The Mountain”
28 t crane w/40’x40’Key grip; Tom Kazmarski
Tungsten 6 x 12K
Wachovia Commercial
Gaffer: John Dekker
“X-3”
Gaffer; Dan Lawrence
“X-3”
135’ Platform
w/ 2x 24 “Dinos”
Gaffer; Fred Boyd
“Mimzy”
Remote HMI
Daylight fill
Tungsten 6x 12k
Verizon Commercial
Gaffer; Drew Davidson
135’ Platform
w/ 3x 24 Lamp “Dinos”
Gaffer; Bill Kassis
“Birds eye” view of 135’ w/3x 24 Lamp “Dinos”
135’ Platform
w/6x “Maxis”
54,000 watts can hit 6 different targets
“Reindeer Games”
135’ w/2x 36
“Dinos” in Opal Boxes
‘Percy Jackson”
Gaffer; Peter Capadouca
3 Cranes on
“Percy Jackson”
driving shots
6x 12k Tungsten,
2 Cranes at Magic hour
sundown
“Spooky Buddies”
Gaffer; Ryan Bailey
lighting 3 directions at once
working over the front
gets maximum height
closest to set
“Underworld IV”
Gaffer; Burton Kuchera
lighting city block for plate shots with Russian Arm camera car
